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2013 Awards

First Acker Award
Presented by Clayton Patterson

The Angel Orensanz Foundation | 172 Norfolk Street | New York Downtown | June 6, 2013
EMCEE: Master of Ceremonies Bob Holman

TAGGED Preface +++ Website +++ Box +++ Recipients +++ Videoreport
+++ Comment +++ Reviews +++ Ester Kay blogspot

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WEBSITE "THE ACKER AWARDS"

acker awards website

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Preface & Information by Clayton Patterson:
Honoring L.E.S. avant-garde with first annual Acker Awards
Published in: The Villager, New York, on May 30, 2013

As the tide of gentrification and the money it brings in its wake continues to wash away the creative culture that made the Lower East Side a world-renowned artistic center, I feel the need to somehow save, at least, an impression of what made the L.E.S. such a creative force.

Clayton PattersonCreating my L.E.S. archive gave me an overview of the community, which inspired me to produce, with the help of others, three history anthologies: Resistance: A Radical Social and Political History of the Lower East Side, Captured: A Film/Video History of the Lower East Side and Jews: A People’s History of the Lower East Side.

The basic idea behind the books is to pick subjects that are of interest to me. Then, the next step is to find editors and writers who are related to the subject of the book or had an interest in the material. Next, develop a general history showing where the content fits into the history of the neighborhood. Finally, try and collect as much information that defines the subject of the book.

My approach in these works was to layer the more publicly recognized between the lesser-known people. For example, when a reader is looking for an Allen Ginsberg, they can come across Ira Cohen or Lionel Ziprin. By placing everyone shoulder to shoulder, it makes everyone equal and opens the door to discovering new people, ideas and subject matter.

The next step in preserving the area’s cultural history came about in an odd way. The writers organization PEN was soliciting a list of names for a recipient of the Benjamin Bradlee Editor of the Year Award. I heard about this award, suggested Jim Feast, and started a mini-campaign pushing Jim. One of the first people I contacted was Alan Kaufman. Born and raised in the Bronx, and now living in San Francisco, Alan is a writer, and has published a number of anthologies and books. His latest book, "Drunken Angel," is drawing comparisons to Bukowski.

Alan immediately got involved. But as we discussed campaign strategies, the idea rose to the surface: Let’s create our own award.

We both agree that one of the major components that fueled so much of the creatively in New York City and San Francisco was the cheap rent and the chance to live an inexpensive lifestyle. And now gentrification has basically killed the muse. Our world has changed, so let’s find a way to bring recognition and honor to the creative individuals who inspired so much of what N.Y.C. represents and who have made, and continue to make, a significant contribution to our avant-garde culture.

Alan suggested we call the award the Acker Awards. It was agreed. Kathy Acker (1947-1997), born in New York City, had lived on the border of the L.E.S., was a radical thinker, had an original voice, produced novels, plays, essays, and was a performance artist.

The Acker Awards are a tribute given to members of the avant-garde arts community who have made outstanding contributions in their discipline in defiance of convention, or else served their fellow writers and artists in outstanding ways. The award’s novelist namesake, in her life and work, exemplified the risk-taking and uncompromising dedication that identifies the true avant-garde artist.

Acker Awards are granted to both living and deceased members of the New York or San Francisco communities. The cities were chosen for their historic linkage as enters for the avant-garde. In time, though, communities in other cities will be asked to participate. The providers of the Acker Awards are Alan Kaufman (San Francisco) and Clayton Patterson (New York City). The recipients were determined through extensive discussion with members of the arts communities in both cities.

This year’s recipients will have the opportunity to both nominate and vote for future recipients of the Acker Awards. For more information go to: http://www.ackerawards.com.

The Acker Awards ceremonies will be held in New York City and San Francisco, Thurs., June 6, 7 p.m. local time. The New York event will take place at the Angel Orensanz Foundation, 172 Norfolk St., and the San Francisco event will take place at VIRACOCHA, 998 Valencia St. at 21st St., in the Mission District.

Both ceremonies are open to the public and free!

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ACKER AWARDS PRESS RELEASE

THE ACKER AWARDS for avant garde excellence

CONTACT:
Clayton Patterson, NYC  claytonpatterson161@gmail.com
    He is an artist/documentarian, editor and publisher of Jews: A Peoples History of the LES
    and curator of the Outlaw Art Museum on the Lower East side of NYC.
    https://patterson.no-art.info
    http://www.amazon.com/Jews-Peoples-History-Lower-Volume/dp/0985788305

Alan Kaufman, SF: 415-573-5766 or  Akpoem2@aol.com
    He is the author of DRUNKEN ANGEL and a co-curator of the forthcoming Allen Ginsberg Festival
    at the Contemporary Jewish Museum in San Francisco.
    http://vivaeditions.com/book/2249/drunken-angel-a-memoir/
    https://ginsbergfestival.com/

Awards ceremonies to take place in San Francisco and New York City

When? JUNE 6, 2013, 7PM, local time

Where?
NEW YORK | The Angel Orensanz Foundation, 172 Norfolk Street, Manhattan New York.
SAN FRANCISCO | VIRACOCHA, 998 Valencia Street at 21st, the Mission, San Francisco

What? Acker Awards are bestowed on those who “have made outstanding contributions in their discipline in defiance of convention, or else served their fellow writers and artists in outstanding ways.”

The award is named after the novelist, and darling of the avant garde, KATHY ACKER

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NEW YORK CITY AWARD RECIPIENTS 2013

LIFETIME ACHIEVEMENT AWARD:
Barney Rosset and Fred Jordan

EDITORIAL:
Ron Kolm and Jim Feast

WRITERS:
Richard Kostelanetz​, John Strausbaugh,
Peter Lamborne Wilson

POETRY:
Bob Holman, Steve Dalachinsky,
Eileen Myles, Jim Brodey, Patricia Smith,
Harry Nudel, Lionel Ziprin
(Posthumous),
Dorothy Firedman, Konstantin K.Kosminsky

FICTION:
Carl Watson, John Farris, Janice Eidus

NON-FICTION:
Eddy Portnoy

THEATER:
Judith Malina (The Living Theater),
Crystal Field
(Theater For The New City),
Taylor Mead (Posthumous), Augusto
Mecharize, Hapi Phace (Mark Rizzo),
Tabboo Stephen Tashjian, Peter Kwaloff,
James "Ethyl" Eichelberger

BIOGRAPHY:
Cynthia Carr

ART:
Boris Lurie (Posthumous), John Evans,
Jose "Cochise" Quiles, Elsa Rensaa,
Dash Snow
(Posthumous), Jerry Pagane,
Anthony Dominguez, Peter Missing,
Joe Coleman, Spider Webb

SCULPTURE:
Angel Orensanz

PUBLISHERS:
Dan Simon (SEVEN STORIES PRESS),
Jim Fleming
(AUTONOMEDIA)

PHOTOGRAPHY:
Ira Cohen, Alice O’Malley,
Paula Grimaldi-Reardon

PERFORMANCE:
Tuli Kupferburg, Valery Oisteanu
Carol Braddock, Steve Ben Israel

VIDEO:
Nelson Sullivan

FILM:
Nick Zedd,
Howard Guttenplan
(Millenium Film Workshop),
Michael Sladek
(Plug Ugly Films),
Chris Talbott
(Silent Five Productions),
MM Serra
(FILMMAKERS COOP)

COMMUNITY SUPPORT:
Patricia Parker (VISION FESTIVAL),
Klara Palotai, Jody Weiner,
Monica Ponomarev, Lia Gangitano,
Lucien Bahaj, Westly "Wes" Wood,
Joseph "Cuz" Camarata

BUILDING PRESERVATION:
Al Orensanz, ORENSANZ FOUNDATION

MUSIC:
Danny "Lord Ezec" Singer,
James "Jimmy G." Drescher,
Freddy "Madball" Cricien,
William Parker,
LAch Anti-Folk, Raymond "Raybeez" Barbieri (Posthumous),
Joey Semz (Joe McCarthy)

VENUES:
Steve Cannon (TRIBES),
Hilly Crystal
(CBGB),
Maria Neri
(ORENSANZ FOUNDATION)

HISTORIANS IN FILM:
Jeremiah Newton, Eric Ferrara

 

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ACKER Award box 2013

acker award box

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VIDEOREPORT


By Antonella Francesca, 34:29 min 

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Comment by JAN HERMAN:
Transgressive Artist Otto Muehl Set Radical Template
Published in: ARTS JOURNAL, New York on June 5, 2013

Just in time for the  Acker Awards, newly established to recognize noncomformity in the arts, obituaries for Otto Muehl have popped up in the news as if on cue. Muehl was a 1960s  Vienna Actionist (along with Hermann Nitsch, Günter Brus, and Rudolf Schwarzkogler) whose “radical performance art,” as  Margalit Fox put it in The New York Times, “sought to upend … the stultifying bourgeois conventions of the postwar years.”

Otto Muehl performance
From an Otto Muehl action performance

Muehl’s death earlier this week and the award ceremonies being held Thursday in both New York and San Francisco are no more than a coincidence. But it’s obvious that with some exceptions such as Judith Malina’s, Boris Lurie’s, and Marina Abramovic’s, the artistic achievements of the Acker honorees aren’t nearly as  transgressive as Muehl’s was. Not even close. “Something perverse about Austria brings out the best in certain artists,” says William Cody Maher, an American expatriate poet who lives in Germany. Indeed. As Fox writes: "Mr. Muehl splattered his nude subjects with paint in live performance and on film, but he also splattered them with soup, juice, milk, egg whites, blood, the internal organs of freshly slaughtered animals and, in a coup de grâce that appeared to follow the foodstuff to its inevitable conclusion, fecal matter. - It should also be noted that Mr. Muehl’s subjects, far from being idle, were, per his carefully worked-out choreography, generally having sex at the time. “The aesthetics of the dung heap are the moral means against conformism, materialism and stupidity,” Mr. Muehl declared in 1962."

Otto Muehl: Versumpfung einer VenusOtto Muehl: Versumpfung einer Venus
‘Versumpfung Einer Venus’ September 1963 [Photographer: Ludwig Hoffenreich]

The artist clears away taboos. What really shocks is being confronted with the facts. There is plenty to show. No one questions the State. The State doesn’t work. One cannot change it, not even through revolution. Private property is the end of ethics. Rousseau writes: “The first person to fence off a spot of earth and say, ‘That belongs to me, no one is permitted to trespass,’ should have been declared insane or beaten to death.” With this, the catastrophe of exploitation began.

Have a look at an  interview Muehl gave in 2002 that puts his views in perspective.

Source: http://www.artsjournal.com/herman/2013/06/transgressive-artist-otto-muehl-set-radical-template.html

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Review by Elie and Clayton Patterson:
RECAP OF THE ACKER AWARDS AT ANGEL ORENSANZ
Published in: Bowery Boogy | New York | June 11, 2013

Last Thursday night was the first annual Acker Awards, an event that is meant to celebrate avante garde arts amidst the perennial high tide of gentrification. But not just on the Lower East Side; San Francisco also has its own version.

Named for Kathy Acker – radical thinker, novelist, and performance artist – the idea for the Awards was spawned by author Alan Kaufman and neighborhood chronicler Clayton Patterson.


Patricia Smith, Bob Holman, Harry Nudel, Dorothy Friedman, Delachinsky, Clayton Patterson

Patterson wrote the following in a recent article in the  Villager: We both agree that one of the major components that fueled so much of the creatively in New York City and San Francisco was the cheap rent and the chance to live an inexpensive lifestyle. And now gentrification has basically killed the muse. Our world has changed, so let’s find a way to bring recognition and honor to the creative individuals who inspired so much of what N.Y.C. represents and who have made, and continue to make, a significant contribution to our avant-garde culture.

Acker Awards are granted to both living and deceased members of the New York or San Francisco communities. The cities were chosen for their historic linkage as centers for the avant-garde. In time, though, communities in other cities will be asked to participate.

Source: http://www.boweryboogie.com/2013/06/claytons-corner-recap-of-the-acker-awards-at-angel-orensanz/

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Review Clayton Patterson:
Avant-garde stars shine at first Acker Awards
Published in: The Villager | New York | June 15, 2013

Standing, from left: Chandra Ratner, a documentary filmmaker who is making a film on Fred Jordan; Ken Jordan; an unidentified woman; Ron Kolm and Jim Feast, award recipients in the editor section. Fred Jordan (in wheelchair), is former vice president and editor in chief at Grove Press, where he worked for more than three decades starting in 1956, and was managing editor of the company’s magazine, Evergreen Review. Authors who he worked with as editor include Samuel Beckett, Jack Kerouac, William Burroughs, Allen Ginsberg, Pablo Neruda, Vaclav Havel, Alain Robbe-Grillet, Marguerite Duras, Harold Pinter, Eugene Ionesco, Tom Stoppard, Abbie Hoffman, David Dellinger, Alan Lomax, David Mamet, Monty Python, William Vollmann, Art Spiegelman, Alan Kaufman and Kathy Acker. Photo by Clayton Patterson

On June 6, at the Angel Orensanz Center on the Lower East Side, the first annual Acker Awards were held.

The Acker Awards were created by myself and Alan Kaufman. Soon we expect other cities to join in. (See ackerawards.com.)

The Acker Awards are a tribute to members of the avant-garde arts community who have made outstanding contributions in their discipline in defiance of convention, or else served their fellow writers and artists in outstanding ways. It’s named after novelist Kathy Acker, who in her life and work exemplified the risk-taking and uncompromising dedication that identifies the true avant garde artist.

Acker Awards are granted to both living and deceased members of the New York or San Francisco communities. The cities were chosen for their historic linkage as centers for the avant garde. In time, though, communities in other cities will be asked to participate.

The award itself was created by San Francisco graphic designer Sammy Dwarfobia. Those who attended also received an awards poster created and printed by legendary San Francisco rock poster artist Chuck Sperry, as well as a box containing a piece of ephemera selected by an award recipient and given to me. The box was assembled with the help of Celina Leroy. Also critical to making the event happen was Klara Palotia. Klara was the intellectual energy that kept everything working and in motion.

We much appreciate and are honored that Angel Orensanz allowed us to use his venue to hold the New York ceremony. Angel’s building is the Carnegie Hall of Downtown New York.

The night started off with a solo sax performance by Avram Fefer. A local Lower East Side musician, Avra also is a clarinetist, bandleader and private teacher. He recorded with The Last Poets, Archie Shepp and many others. He now has 10 CD releases as a leader or co-leader and is featured on numerous recordings as a sideman.

The night was filled with positive energy and the recipients were grateful to be given such an honor. Steve Cannon of Tribes probably summed it up best, by saying so many of the recipients were the people always giving and so seldom are they thanked or appreciated in return for their service to community. At the Acker Awards, Cannon was honored to be remembered. He went on to say that it was highly unusual to have such a wide range of avant-garde culture covered by one award, thus bringing together in one place so many of the amazing contributors to New York City avant-garde culture.

The award was a true representation of so much that the old creative L.E.S. stood for. This night was like all the different creative factions uniting under one roof for a brief moment in time. Thank you, Steve.

There were many high points during the ceremony. Jerry Pagane was the most enthusiastic winner. He could hardly contain his joy and gave a very heartfelt thank you.

Peter Missing summarized how impossible it is for an artist to remain living and creating in this new, gentrified New York City.

Patricia Smith, a winner in the poetry section, a four-time individual champion of the National Poetry Slam, the most successful poet in the competition’s history, treated the audience by reciting one of her award-winning poetry slams.

Cynthia Carr, winner in the biography section, was a little more modest because of how overwhelmed she was feeling having recently won a Lambda Literary Award for memoir/biography and having been a finalist for the J. Anthony Lukas Book Prize, awarded by Columbia Journalism School and the Nieman Foundation at Harvard University, for her book “The Life and Times of David Wojnarowicz,” and now an Acker Award, as well.

The evening in New York was a memorable one, and Alan Kaufman was just as pleased with how successful the San Francisco program worked out.

This is just the beginning. There will be more to come.

The only dark spot, if this could be seen as one, was the lack of presence of Soho House. Those trying to sell Soho House to the L.E.S. were talking about how great the L.E.S. is, how they love and are so enamored with the creative L.E.S. So much in love that they did not send one representative or show any connection to the award ceremony.

The last note I got was from one of the Acker winners, who said the principals involved in Soho House had promised her they would contact her, but after they were rejected by Community Board 3 for a liquor license, she didn’t hear from them again.

It seems that Soho House feels the same way toward the old-school, creative L.E.S. as the old-school, creative L.E.S. feels toward Soho House. I see them as just another version of a “Housewives” show — all gossip and no meat. To each his own.

Source: https://www.thevillager.com/2013/06/avant-garde-stars-shine-at-first-acker-awards/

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